Mac Documentary Cunningham

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Directed by=Alla Kovgan
Alla Kovgan
score=106 Vote
Germany
Cast=Brandon Collwes, Ashley Chen

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Mac documentary cunningham movies. Terrence Cunningham remains one of my highly gifted underrated artists/singers who deserved to be heard by the cover of MY GIRL.I WONDER WHERE HE IS NOW. Mac documentary cunningham 2017. Im suspended cause I sent this without watching the whole video😁😁😁 THANKS😁😁. Mac documentary cunningham center. Mac documentary cunningham show. Roses are red. Ketchup is too, Ohh! Got my first like. Why is it blue. Mac documentary cunningham series. He went from what if i did this for fun to im never doing this again in the span of 30 seconds lmao. Imagine if someone picked up thinking they actually had a lost son/daughter Im wheezing.

I thought Queen Alicia's head will fall into the ground. 💚😂. Before Randall came to Philly we suffered for yrs under subpar was pretty painful watching the stinking cowgurls, the racist uniform wearing deadskins and the G-men from NY win 'win' win. now even I don't ever recall seeing Randall drop back and punt, I know that I never saw Vick do it and Lamar' Russell... Randall was the man for us during his period. Mac documentary cunningham group. 1:41 now that is a magic trick. Mac documentary cunningham youtube. Mac documentary cunningham funeral home. Mac documentary cunningham full.

Mac documentary cunningham books. Mac documentary cunningham 2016. Mac documentary cunningham video. Mac Antfee Character information Gender Male Species Human Hair color Orange-brown Eye color Black Affiliations Before: Neutral, Chaotic Evil Now: Good Occupation Norrisville Ninja (formerly) Student of Norrisville High around 1985 Teacher of Ninja Camp (formerly) Motivational Speaker Residence Norrisville (when younger) Friends Man-Gong Enemies Randy Cunningham (formerly) The Sorcerer (formerly) Howard Weinerman (formerly) Interests Gaining the Ninja Mask to kick every butt in Norrisville (formerly) Inspiring people Sightings First Episode Stank'd to the Future (as a teenager in the NinjaNomicon) Ninja Camp (first official appearance as an adult) Voiced by David Koechner “ I'm Mac Antfee, world-famous butt-whooper! ” –Mac Antfee. Ninja Camp " Mac Antfee was the Ninja  around 1985, more recently the owner and teacher of Ninja Camp, and currently a motivational speaker. Personality Becoming the Ninja in the early 1980's (or possibly the late 1970's, since he graduated in 1985, but was the Ninja for five or six years) Mac was probably similar to most ninjas, courageous and heroic. However, after being the Ninja longer than four years, the usual time, he began to turn into an uncaring, aggressive ninja. This is shown in the first mention of Mac in " Stank'd to the Future. when he was not fulfilling his ninja duty of helping a stanked student because he preferred to have fun at the prom of 1985 instead. Sometime afterwards, as shown in " Ninja Camp. the NinjaNomicon condemned him and prevented him from remaining as the Ninja, taking away the mask. Furious, Mac vowed to get the Ninja Mask back and kick every butt in Norrisville for revenge. Because he never got mind-wiped, the memory of the power of the Ninja Suit corrupted Mac, making him crazy and villainous. He is very ambitious and determined, always desiring to be the best, and thinking people who help others are losers and "nicewads. Randy called him out on "selfish ninja-ing. implying that he disliked him. Mac Antfee disliked Randy in turn, because according to Mac, Randy did not have the ruthless attitude and skills of a Ninja. Conceited, aggressive, and uncaring, Mac showed no mercy to anyone, and attempted to convince anyone who passed through his training that the Ninja should be destroyed in order to obtain the mask and revenge on the Nomicon. His desire for the mask was so extreme that he would do dark deeds to obtain it, such as holding Howard over a waterfall and threatening to drop him if the Ninja didn't hand over the mask. After letting go of Howard, he escaped, but vowed to return again and defeat the Ninja. Because he has past experience as the Ninja, Mac knows that fighting him is a bad idea, and built a ninja-proof metal cage. Randy, however, tricked him into thinking he had escaped by using a smokebomb and hiding on the ceiling so that he'd open the cage. He has an obese follower that he uses as a "man-gong" by striking him with a foam hand on a stick. When a good guy, as seen in " Enter the Nomicon. Mac is actually very friendly and caring, wanting to inspire people with his "You-Splosion. Thankful to Man-Gong, and forgiving to Randy and Howard, Mac truly seems to be a changed man, but he still struggles to keep his insane, power-hungry personality back. Once Randy completely mind-wipes him, Mac is permanently nice, suggesting to Man-Gong that they go feed an orphanage, and happily waving good-bye to Randy and Howard. Relationships Randy Cunningham Mac Antfee dislikes Randy almost on sight, because, according to Mac, Randy did not have the attitude and skills of a Ninja. During Randy's stay at Ninja Camp, Mac starts pelting Randy with insults, and encourages his students, even Howard, to beat Randy down by fighting dirty. In return, Randy is frustrated at Mac Antfee, due to passing the buck of Stankified Dickie to him, seeing him doing and allowing unfair tricks during his stay in the camp, and his cruel, unjust, even psychotic attitude towards winning. Upon learning that Mac got expelled from being the ninja any longer, Randy decided to give Mac what's coming to him, now realizing that Mac is out to get the mask and kick every butt in Norrisville, only for Mac to get away. As of "Enter the Nomicon" it is assumed that he and Randy are in good terms now ever since the Nomicon mind-wiped him in said episode. Howard Weinerman Howard opines that Mac Antfee is the coolest ninja he had ever met, upsetting Randy in the process. In return, Mac encourages Howard to be the best ninja in Ninja Camp, though not in a way the Norrisville Ninja fights. Howard even follows Mac's example, up until the point where he discovers that Mac plans on destroying the ninja and get his mask. After succeeding on trapping Randy, Mac decided to hold Howard over a waterfall and threatening to drop him if the Ninja didn't hand over the mask, only for Randy to save Howard in a nick of time. From that point on, it might be assumed that Mac is also Howard's enemy. However, as of " Enter the Nomicon. Mac and Howard are also in good terms. NinjaNomicon He supposedly never followed the Nomicon's advice back in 1985 or carry out his duty as the Norrisville Ninja. Having enough of his selfish, irresponsible, and violent ways, the Nomicon expelled Mac Antfee from being the ninja anymore, which caused Mac Antfee to grow a hatred towards the Norrisville Ninja and develop an obsession on getting the mask back. He knows the fact that anything is possible in the Nomicon (until he was mind-wiped in " Enter the Nomicon " Dickie When Dickie got stanked by the Sorcerer during Prom Night in 1985, Mac decided to lock him in the cafeteria freezer so he wouldn't miss the prom passing the problem down to a future ninja (Randy. Obese Ninja aka. Man-Gong " Not much is known between the two of them, but it is hinted that the obese ninja is very loyal to Mac Antfee till the very end. Mac Antfee doesn't really see him as a warrior student, but a personal man-gong instead, much to the obese ninja's discomfort. They're on good terms, as revealed in " Enter the Nomicon. After Mac Antfee finally gets mind-wiped by the Nomicon with help of Randy, the obese ninja is more than a little creeped out that Mac Antfee has become a good guy and doesn't remember wanting to get revenge on the Norrisville Ninja. Braedon He sees Braedon as a worthy student after Randy helps him in one of Mac's obstacle courses and Randy gets beaten by him in a match, taking Randy's kindness to his advantage. Trivia He appears briefly in " Stank'd to the Future " when the Nomicon is explaining to Randy about Dickie. He is revealed to be the Ninja of 1985. According to himself in " Enter the Nomicon. MacAntfee was the Ninja for six years, an unusual amount of time for a student to be the Ninja. Since he says to Randy, There's no shame in losing to the Class of '85, because we rock. he almost certainly graduated in that year. He would, at any rate, presumably have to be at least a junior to attend the 1985 Prom. Assuming that he remained the Ninja for two extra years because he had to repeat one or more grades in high school, he probably entered Norrisville High in late 1979. He is an expy of John Kreese from The Karate Kid. He is also similar to Rex from Napoleon Dynamite. He did  find out that Randy is the ninja in " Enter the Nomicon. but he forgets it after being mind-wiped. He might have known McFist, who also went to Norrisville High in 1985, but their relationship is unknown. As of " Enter the Nomicon. Mac Antfee is now permanently good. He is seen briefly in " Swampy Seconds " in an Ace card when the Nomicon warns Randy that "if he abuses his ninja powers, he will lose them. " He is the first villain in the whole series to reform. His sword, which he used in " Ninja Camp. seems to be a replica of the Ninja's. Also, the book he used for the Mac Antfee Loyalty Oath  has a similar design to the NinjaNomicon's. His name shows a great deal of similarity with the name of Anti-Virus scanner McAfee. Images and Appearances Ninja Camp Enter the Nomicon Swampy Seconds Miscellaneous Quotes "I'm Mac Antfee! World famous butt whooper. Ninja Camp "MAN GONG. Ninja Camp "Hand over the mask. Mac Antfee to the ninja in Ninja Camp "I was the ninja for five years. Randy: Five years? "Okay, six years. Enter the Nomicon Mac Antfee ( to Randy after he failed to cross the finish line) WHAT WAS THAT! Randy: Braedon needed help. Mac Antfee: mocking) Braedon needed help. (to Randy) That little weasel out-ninja'd you. Ninja Camp v - e - d Characters MAIN Howard Weinerman • VILLAINS Catfish Booray • The Disciplinarian • Mac Antfee • McFist • Monsters • Queen Gabnidine • Shadow Julian • The Sorcerer • The Sorceress • Tengu • Viceroy's Creations • Viceroy STUDENTS Bucky Hensletter • Background students • Bash Johnson • Braedon • Brent • Buttermaker • Dancing Fish • Dave • Debbie Kang • Doug • Flute Girl • Heidi Weinerman • Jacques • Julian • Juggo • Levander Hart • Morgan • Stevens • Theresa Fowler • Pradeep • Rachel • Ranginald Bagel • Rudd Rhymez • Tiny Timmy Scratch-It ADULTS Brock Octane • Coach Green • Dickie • Father McFist • Greg • Hippie Librarian • Jason Myers • Jerry Driscoll • Man-Gong • Marci McFist • Mort Weinerman • Mother Viceroy • Miss Zingwald • Mr. Bannister • Mrs. Cunningham • Mrs. Driscoll • Mrs. Dempsey • Mrs. Weinerman • Miss Wickwhacker • Pitch Kickham • Principal Slimovitz • Randy's Neighbor • Ruth • Senora Jorge • Sinjin Knightfire • Sundown • S. Ward Smith • The Messenger • Terry McFist GROUPS 30 Seconds to Math (band) • Bash & the Bros • Der Monster Klub (group) • Norrisville High Marching Band • Norrisville High Twirl Team • Norisu Nine • Rhymez's Rap Posse OTHER Background characters • First Ninja • Neil Apestrong • Ninja of '05 • NomiRandy • Plop Plop The Norrisville Ninja MAIN OBJECTS NinjaNomicon • Ninja Mask • Ninja Suit WEAPONS AND ITEMS Ninja Balls • Ninja Eskrima • Ninja Chain Sickle • Ninja Hand Drill • Ninja Kamas • Ninja Manrikigusari • Ninja Rings • Ninja Sai • Ninja Scarf • Ninja Spikes • Ninja Sword • Ninja Ukulele • Smoke Bombs ABILITIES Art of Disguise • Art of Escape • Air Fist • Art of Healing • Comet Sprint • Earth Attack • Hydro Hand • Ninja Rage NINJAS OTHER RELATED INFO Eye of Eternities • Halloweenja • Sorcerer's Key • Tengu.

Mac documentary cunningham tv. A remarkable achievement by filmmaker Alla Kovgan, spending seven years to make this classic tribute to the late dancer/choreographer Merce Cunningham.
Working with both archive footage and valuable sound recordings, she conjures up the avant-garde artist through recordings of his work, his philosophy of his art and comments by many close collaborators including notably John Cage and Robert Rauschenberg. Not meant as a biopic, film concentrates on spectacularlhy cinematic (in 3-D) new performances of many of his dances, executed by members of his company, which disbanded in 2011, after Merce's death in 2009.
At a q&a following the screening, Kovgan indicated that Wim Wenders' innovative 2011 3-D dance film about German choreographer Pina Bausch inspired her to take on this formidable project, finally starting shooting in Stuttgart in 2015 with principal photography taking place in 2018.
Her use of 3-D technique is outstanding, resulting in gripping visual images, enhanced by the accompaniment of the original dance scores by John Cage and others. For a novice like me, not overly familiar with Merce's achievements, the movie brings his dance to life and points to how 3-D technology can be used artfully rather than as a gimmick, or its current excuse to permit higher price points for movie admissions to films, both animated and action-oriented, that should play just as well if not better in 2-D on large screens.

I just dont get it. GADSDEN ALABAMA ON THE MAP, DO YOUR THANG OMAR. Imagine an 80-year-old man with more stamina than two men almost half his age. One night while shooting Bill Cunningham New York, Richard Press, the director, and Tony Cenicola, the cameraman, followed the octogenarian in question riding his bicycle around Manhattan on a typical evening's round of parties. The filmmakers were shooting their moving target from an adult-size tricycle jury-rigged for the occasion. By 11 p. m., after following him to events downtown, midtown, and across Central Park, the two filmmakers were exhausted while Cunningham was still going. The next day, Bill was gleeful in recounting how he ran Richard and Tony ragged. Of course, he was at an advantage because he rides his bike from one party to another almost every night of the week. Bill Cunningham is known for his two weekly photographic columns in The New York Times: On the Street. in which he identifies fashion trends as he spots them emerging on the street; and "Evening Hours. his coverage of the social whirl of charities that benefit the cultural life of the city. The fashion world considers him a kind of deity; his zeitgeist antenna is so finely tuned that designers, retailers, and fashion editors scrutinize his pages religiously. As Anna Wintour says in our movie: We all get dressed for Bill. In 2008, he was made an Officer in the Order of The Arts and Letters of the Ministry of Culture in France. His reputation clearly extends beyond New York. Still, Cunningham's resistance to attention is legendary. It took seven years for Richard Press and me to convince the most reluctant man-about-town in New York to be the subject of our film (which opens March 18 at the Film Forum in New York. He has consistently refused overtures from most every writer, editor, curator, or impresario to do a book or an exhibition or to give a public talk, but it isn't condescension with which he invariably demurs. It is profound humility. As Anna Wintour says in our movie: “We all get dressed for Bill. ” "I'm just a hack. he says, sincerely, although I believe his self-effacement doubles as a cover. By dismissing everyone's lofty conclusions about his unique contribution to fashion, he protects his independence. He wants nothing more than to be able to stand on the street and wait to be thrilled by what someone is wearing. Period. At the same time, he is deeply circumspect—he did drop out of Harvard—and he regards his two columns in the Times in the larger context of the paper's news coverage. By his own estimation, compared to the weight of ongoing global problems, he rates his obsession with clothes as nothing but a hobby. Bill is quick to tell you that he is a fraud. He doesn't really consider himself a photographer and, here, I tend to agree with him. While he uses a camera to identify fashion trends and to document evening events, the photographic image is not what he cares about; it's the clothes. His love of fabric, line, cut, shape and, ultimately, original style has propelled him day in and day out over 50 years to look at what people are wearing—on the street, at the fashion shows, and at the parties for which people get dressed up. His daunting accomplishment is that he transformed an obsession with clothes into an exacting chronicle of the intersection of fashion and society in New York over half a century. It's not what he set out to do when he picked up a camera in the mid-1960s. Still, given his strict work ethic, passion for clothes, and native scholarly approach to the history of fashion, what he leaves in his trail is pure cultural anthropology. Bill is the most unencumbered person I know. "Money is the cheapest thing. he says. "Liberty is the most expensive. Blithely, he conducts his life with an absence of material possessions. He has lived in the same tiny apartment at the Carnegie Hall studios for half a century. There is no room for furniture—no chair or table or dresser. Instead, old file cabinets stacked side by side leave barely enough room for his single mattress over a flat board. You would think it's a derelict storage facility. Breakfast for him is a quick in and out at a local deli and dinner is usually Chinese takeout before he launches into an evening's slate of parties. His only form of transportation is a bicycle. His signature blue jacket is a Parisian street sweeper's smock purchased on his semi-annual trips to Paris. "They're practical. he claims, because the fabric withstands his cameras rubbing against it and multiple pockets hold his rolls of film. Everything in his life is pared down to the essential structure of his work. No one assigns Bill to go out and find women on the street wearing pink scarves, say. The endless trends he spots—whether leopard patterned bags or backless summer dresses or white leather boots—come from what he, alone, observes. He is the master of his own columns. I have known Bill for almost 20 years. As a former picture editor at the Times, I used to watch him quietly slip into the old Times building, wait for the lab to process his film, select his pictures on contact sheets, and take the prints to the art department, where he would sit with an art director to design his pages. He is a very cheerful presence as long as no one encroaches on his independence. He is both aware of and immune to the subtle divisions of rank within the politicized hierarchy of the Times. He talks as respectfully with the mailroom clerk as with the editor of the Culture desk. His biggest fights always have been with art directors, who think of his pictures as graphic elements to be arranged in an easily readable page design. Of course, Bill knows better than anyone how his pictures should be put together to make his point. As a young man in New York in the 1950s, Bill made woman's hats. His salon in the Carnegie Hall studios was a destination for women in the know. The Actors' Studio resided at Carnegie Hall, as well, and he remembers Ginger Rogers, Joan Crawford, and Marilyn Monroe coming in from time to time to look at his hats. "But I wasn't interested in them. he recalls. "They weren't stylish. In the 1950s, Bill also worked for Chez Ninon, a couture salon owned by the socially well-connected Nona Park and Sophie Shonnard. They made legitimate copies of the European designers such as Chanel, Givenchy, and Dior. Jacqueline Kennedy was a regular client. When President Kennedy was assassinated, she flew the red Balenciaga suit she had bought at Chez Ninon up to New York for Bill to dye black. That's what she wore to the historic funeral. That said, Bill is not interested in celebrities or in the status of labels. During Fashion Week in Paris two years ago, we filmed him outside the Yves Saint Laurent show at the Grande Palais. All of a sudden a swarm of photographers surrounded Catherine Deneuve as she strolled toward her waiting car. Bill turned to us and rolled his eyes. "Look at all the paparazzi going wild. he said, and cupped his hand to his mouth. "Over Catherine Deneuve. As if she were an unworthy subject. He acknowledged that everyone must think he is crazy not to photograph her. "But she isn't wearing anything interesting. he explained. And there you have it. Filming Bill was not an easy process. Aside from his allergic reaction to the spotlight in general, our significant hurdle was navigating his coveted independence. We were given a cubicle next to Bill's at the Times during the filming of the movie. We would sit there for weeks at a time sensing and anticipating his moods before broaching a cinematic need to follow him on an evening's round of parties, for example, or to interview him in his apartment, or to ask him for archival pictures. It was fine for us to film him as long as we were spontaneous about it and it did not interrupt the organic flow of his routine. If we asked him when he was going out to shoot on the street, he would deflect the question and later slip out when we weren't looking. But if we simply appeared on the street with our cameras, he would reward us with his cooperation. Over the course of filming, we developed a lovely relationship of mutual ambivalences. There were times when Bill would freely drag us to meet his neighbors or invite us to film him while having breakfast at the local deli. But, then, he wouldn't talk to us for a week at a time because we asked for his cooperation at the wrong moment. Still, he is deeply charming and inspiring and we came away from the process adoring him even more than when we began. As for Bill's feelings for us, well, long ago he began to call us Philippe and Richarde, and, to this day, we aren't sure if he does so with mockery as much as affection. Philip Gefter writes about photography for The Daily Beast. He previously wrote about the subject for The New York Times. His book of essays, Photography After Frank, was recently published by Aperture. He produced the feature-length documentary, Bill Cunningham New York, and is at work on a biography of Sam Wagstaff.

Oh so thats why he has no muscle definition, hes one of those vegan nerds. Lol the 80's music. Mac documentary cunninghams. Mac Documentary cunningham. Mac documentary cunningham book. Mac documentary cunningham movie. Mac documentary cunningham brothers. Why did I think the Eiffel Tower was in the thumbnail. Mac documentary cunningham online. Excellent and insightful film on the creative genius, Merce Cunningham. I will recommend to all my friends. Mac documentary cunningham 2. Mac documentary cunningham free.